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Media literacy is increasingly
recognized as an essential component of a modern liberal arts education
-- a form of literacy every bit as important in the contemporary world
as print literacy and computer literacy. This course is therefore
relevant to communication majors as well as non-majors, and for this reason
it is offered as a 200-level service course.
Relevance to Majors:
Critical media literacy
is especially relevant for majors because many go on to work in media-related
fields. For these students, Comm 240 provides an opportunity to reflect
on, and begin making difficult choices about, how to reconcile interests
in media-related careers with other social and ethical commitments.
For instance, I frequently
have students that enter the course with aspirations to work in the advertising
industry. After studying the social impact of contemporary advertising,
struggling to reconcile this awareness with other personal values, and
learning about opportunities to employ advertising-related skills for noncommercial
purposes, many of these students inform me that they plan to shift their
direction away from the commercial sector and toward the public and non-profit
sectors -- which are increasingly looking for people with "social marketing"
skills in order to get their messages out.
In addition, for communication
majors that are considering graduate school, Comm 240 exposes them to a
field of teaching and research to which many have had no prior exposure.
A number of students have expressed interest in this field after taking
the course. As support for media literacy education continues to grow world-wide,
these students will also be positioned for successful careers in a field
that is socially beneficial and personally rewarding.
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Relevance to Non-Majors:
For majors as well
as non-majors, media literacy is also relevant for the everyday practical
insights it offers -- insights that help students make sense out of, and
make decisions about, the increasingly mediated environments they live
in. Granted, many students have already had some exposure to specific
media literacy themes. For instance, representations of women in
the media are increasingly being analyzed in high school social studies
classes as well as in university women's studies classes -- such as those
offered at WWU. And these courses are indeed very valuable.
However, unlike these thematic courses that critically examine specific
categories of media representations, Comm 240 helps students develop a
larger conceptual framework within which they can make sense out of their
entire media environment.
Toward this end, rather than
jump immediately into analysis of specific media content (as valuable as
that approach is in other courses), Comm 240 initially helps student construct
a conceptual model with which they can understand the many influences that
shape the production of media content. This model integrates psychological,
sociological, political, economic, organizational, and ideological perspectives,
among others. Together, these perspectives provide complementary
and mutually informing insights into the many factors that shape and constrain
media content. With this model in place, the course then examines theories
of media influence -- focusing especially on "cultivation theory" which
is consistent with the cultural environment metaphor that underlies the
course.
Only after these conceptual
frameworks are in place do students then go on to examine specific categories
of media representations and how they influence us both individually and
collectively. In this regard, students study not only representations
of women, they also critically examine representations of masculinity,
race and ethnicity, the natural environment, consumerism, citizenship,
and several other themes.
By this point in the course,
students often begin to express various degrees of discontent (or anger)
at the state of our media environment, along with pessimism (or despair)
regarding the possibility of meaningful change. In response, the
final section of the course attempts to raise awareness regarding the prospects
and possibilities of constructive change. Toward this end, students
examine ways to gain some control over their own media environment, the
impact of their choices as media consumers, alternative practices within
various sectors of the media, concrete policy proposals for media reform,
the emergence of social movements pursuing media reform, and so forth --
all of which are again as relevant to non-majors as they are to majors.
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